Been meaning to get this amended article onto the blog. It’s something I originally wrote back in 2003 for Grandslam magazine as a feature revolving around the release of 2 No Wave compilations at the time, one on the re-activated ZE label, the other on Soul Jazz. The piece was originally published under the title ‘When Punk Met Funk’.
Tag Archives | Idjut Boys
Daft Punk are sitting pretty at the top of the UK singles chart for the first time. The track in question, ‘Get Lucky’, taken from their forthcoming album, ‘Random Access Memories’, came as something of a surprise, for instead of hitching itself to the current EDM juggernaut that’s sweeping America, the French duo have completely bucked the trend by drawing their influence from Disco, featuring its most celebrated guitarist, the great Nile Rodgers of the Chic Organisation (as well as R&B vocalist, Pharrell Williams). A media sensation, it’s everywhere at the moment – on the radio, on the TV, in the clubs and, of course, all over the internet, becoming the most streamed new release in Spotify history. It’s already been re-edited by a whole host of DJs, myself, via Richard Lee, included (www.gregwilson.co.uk/2013/04/just-plain-daft/), and is pretty much nailed on to be the single of the summer.
I got involved with Vintage on the back of ‘Music Played In Discotheques’, the mix of tracks I put together from the years leading up to when I stared deejaying in the clubs in late 1975, illustrating an era when disco music wasn’t a genre as such, but the music played in clubs and discotheques. This was something Wayne Hemingway and his son Jack (who’d been to some of my DJ dates) had asked me to do for the silent disco space they’d curated at Liverpool’s Tate Gallery, the centrepiece being an underlit disco dancefloor.
Set of 15 bubblegum cards designed by Jack Hemingway for the upcoming Vintage Festival in Goodwood (Aug 13/14/15). Here’s a short YouTube clip with the lowdown on The Warehouse and Roller Disco arenas, which I’ve curated with Jack: