Inspired by 1951’s Festival Of Britain, it’s somewhat fitting that Vintage is coming to the South Bank in celebration of its 60th anniversary. Given that it wasn’t possible to stage the festival at Goodwood again, this is a fantastic outcome, providing the opportunity to bring the event right into the heart of the capital for a unique one-off (it’ll return to a greener, more orthodox festival setting in 2012).
South Bank Vintage
by Greg Wilson on 31. Jan, 2011 in Art & Design, Black Culture, DJ / Club Culture
Cover Versions Of Covers
by Greg Wilson on 06. Sep, 2010 in Art & Design, Records, See
This is Pauline Amos’s re-interpretation of the Wings album sleeve for ‘Band On The Run’ (1973) and Kid Acne’s take on ‘Let It Bleed’ by The Rolling Stones (1969). They’re both part of the ‘Cover Versions’ exhibition that opens at the A Month of Sundays Gallery in Sheffield this Friday (10.09.10).
I Met The Walrus
by Greg Wilson on 26. Aug, 2010 in Animation, Art & Design, Interviews, See, The Beatles, The Sixties
This brilliant animation enhances these words of wisdom. John Lennon interviewed by 14 year old Jerry Levitan in Toronto (1969).
Warehouse @ Vintage Goodwood
by Greg Wilson on 18. Aug, 2010 in Art & Design, Black Culture, DJ / Club Culture, DJ Appearances, Hear, Mixes, See, The Eighties
My intention from the off was that we should be celebrating the unique qualities of the British DJ in a way nobody has done previously, with the main body of those approached having helped cultivate this rich dance culture of ours via their own individual contributions, all essential to the rhythmic stew that’s been eagerly gobbled up down the years. We wanted pioneers and we got them, putting paid to the myth that Ibiza ’87 was some sort of year zero, but more the culmination of their previous endeavours, for these were the guys who laid the blueprint, some of whom are well-known names, others who’ve never received the props they deserve. Hopefully this will do something to help redress the situation and right a few wrongs.
Killer Album
by Greg Wilson on 22. Jul, 2010 in Art & Design, Black Culture, CD’s / Digital, Hear, Manchester, Records, See, Video
This month marks a big anniversary for me – it’s exactly twenty years since the crew I worked so closely with for over five years, as producer, manager and all round collaborator, saw their debut LP, the ‘Killer Album’, released via EMI.
DJ Bubblegum
by Greg Wilson on 06. Jul, 2010 in Art & Design, DJ / Club Culture, Mixes
Set of 15 bubblegum cards designed by Jack Hemingway for the upcoming Vintage Festival in Goodwood (Aug 13/14/15). Here’s a short YouTube clip with the lowdown on The Warehouse and Roller Disco arenas, which I’ve curated with Jack.
Werewolf Girls
by Greg Wilson on 26. Jun, 2010 in Art & Design, See
Got to know Kid Acne in 2008 when we we’re both part of the Invisible Players line-up that featured in the Rizla Arena at the Bestival, Big Chill and Rockness festivals. These are some of his well wicked Werewolf Girls cut out and stuck onto burnt spray cans.
Being a DJ
I’m a DJ from Merseyside. I started out in 1975, but stopped for almost 20 years, between 1984 and the end of 2003, at which point I started again.
One night during the period I wasn’t deejaying, turning off my mind, relaxing, and floating downstream I had what might be termed a moment of clarity. Paradoxically, although I was no longer a DJ in the literal sense I suddenly became aware that I’d never actually stopped being a DJ, for even if I was in a room with just one person I couldn’t help but ask them ‘have you heard this?’, and not only ‘heard’, but ‘have you seen this / read this?’, for it goes beyond music. Already taken somewhat aback by this nugget of self-discovery, I realised, in true eureka style, that this all pre-dates my being a DJ and goes back as far as I can remember – I’ve always had an inherent need to share, it’s absolutely central to my nature. This was quite a revelation.
So it’s no wonder that I became a Disc Jockey, for once I fell in love with those circular pieces of magical plastic during my formative years, it wasn’t a matter of choosing this as a path, the path pretty much chose me.
I don’t intend this to be a DJ blog as such, but more a blog by someone who happens to be a DJ – a place where personal emphasis takes precedence over professional, although, as I’ve already explained, the two aspects are, of course, inescapably entwined.
If you want info about my DJ appearances, email greg@gregwilson.co.uk for regular updates.
Related Links
Post Archive
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- The Haçienda Disco V Fiasco!
- One Deck Session Vinyl Selection
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- The Anatomy Of An Edit
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- Living To Music – Marvin Gaye ‘What’s Going On’ 25. Jul, 2010
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- Living To Music – Stevie Wonder ‘Innervisions’ 01. Feb, 2011
- Living To Music – Kate Bush ‘Hounds Of Love’ 04. Nov, 2010
- My First X 19. Jul, 2010
- Living To Music – The Beatles ‘Abbey Road’ 26. Sep, 2010
- My First Record 24. Nov, 2010
- Donald ‘Duck’ Dunn 14. May, 2012
- It Was Back In ’82 10. May, 2012
- Adam Yauch aka MCA 07. May, 2012
- Living To Music – Augustus Pablo ‘King Tubbys Meets Rockers Uptown’ 30. Apr, 2012
- Moore Alan More 26. Apr, 2012
- The Haçienda Disco V Fiasco! 19. Apr, 2012
- One Deck Session Vinyl Selection 12. Apr, 2012
- Sub-Sonic Force 04. Apr, 2012
- The Anatomy Of An Edit 29. Mar, 2012
- Living To Music – Portishead ‘Dummy’ 27. Mar, 2012
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TC: Still sounds subversive now. Can't quite get my he...
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greg wilson: For me, it’s like listening in on the creation. It...
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Dave McGinn`: I got to promethea after working my way through V,...
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Lee Perry: This has to be one of my favourite albums of all t...
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Lou Lou: Knew nothing about this album or the artists and w...
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cezza: I feel this album is an experience to listen to, I...
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Paul Wright: This was the first time I'd had a proper decent li...
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Dan Soulsmith: Interesting one for me this. Before I offend any d...
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lec: Love the vocals and melodica and the bass. Wasn...
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simon b: What an amazing record. From the blazing horns and...
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